To the accompaniment of the only extant recording of James Joyce reading from his own work, Donegan uses a clear cellophane hood and a pane of glass to create another of her "face paintings." The performance is intercut with the artist painting over her own image as it appears on a video monitor, complicating the relation between her performance and the ways that technology both records and redefines the artist's work.
Directed by Cheryl Donegan
