Grand'art

From L’Odalisque au Bain turc, via the Baigneuse Valpinçon, a reflection on the anatomical distortions in Ingres' famous nudes.

Large female portraits, with fascinating drapery in satin and velvet, a reflection on the photogenic nature of Ingresque painting.

Titian's early masterpieces (from the years 1510–23).

From Giorgione's Concert Champêtre to Titian's great bacchanals, a stylistic demonstration of the antinomy between two great painters, the former being the master of the latter.

Red, pink, blue, green, gold and mud make up Titian's palette and, more broadly, the Venetian light.

The power struggle between the painter and the model in the case of paintings by an artist who makes beautiful women look ugly and ugly women look beautiful.